Prenames: |
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Laetitia Marie Laure |
Last Name: |
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Casta |
Date of birth: |
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May 11th 1978 |
Place of birth: |
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Pont Au De Mer,
Corsica, France |
Height: |
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5'8" |
Stats: |
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36"-24"-35"
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Hair: |
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Light Brown |
Eyes: |
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Gentle Blue |
Nationality: |
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French |
Agency: |
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Madison Agency, Paris |
Martial Status: |
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Single |
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Laetitia was discovered by a Madison Agency scout in 1993
while at the beach with her family at age 15. She made her first
appearance in the modeling industry soon after when Paul Marciano
selected her for a GUESS?™ advertising campaign. (Shot by
Neil Kirk in Jamaica, October 1994.) She has done many
GUESS?™ campaigns since then as the "Guess Girl."
("Stretch" shot by Dewey Nicks in Palm Springs, Florida
and Laguna Beach, California.)
When she isn't busy with her modeling career, she lives in
Paris with her parents, an older brother, and a younger sister.
Although she plans to keep modeling for as long as she can, she
is interested in getting married and raising a family. In an
interview with Top Model, she states confidently;
"I'll have my first baby before I'm twenty five." She
would also like to raise a lot of animals.
She will be co-staring with Gerard Depardieu in an upcoming
movie, "Astérix et Obélix," currently in
post-production and due to be released in the U.S. this year. Her
first acting venture!
Covers:
| Cosmopolitan, October |
Italy |
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Cosmopolitan, August |
U.S. |
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Elle, October |
Australia |
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Elle, March18 |
France |
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Elle, May 6 |
France |
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Elle, July 29 |
France |
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Elle, June |
Greece |
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Elle, September |
Hong Kong |
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Elle, May |
Italy |
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Glamour, February |
U.S. |
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Mademoiselle, January |
U.S. |
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Mademoiselle, November |
U.S. |
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Seventeen, April |
U.S. |
| Cosmopolitan, March |
Australia |
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Cosmopolitan, April |
Spain |
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Cosmopolitan, September |
U.S. |
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DS Magazine, March |
U.S. |
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Elle, June |
U.S. |
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Elle, July |
U.S. |
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Elle, October |
Australia |
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Elle, October |
U.S. |
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Elle, April 7 |
France |
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Elle, June 9 |
France |
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Elle, August 18 |
France |
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Elle Top Model #16, July |
U.S. |
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Glamour, March |
U.S. |
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Glamour, July |
U.S. |
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Mademoiselle, March |
U.S. |
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Marie Claire, July |
France |
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Marie Claire, September |
U.S. |
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Marie Claire, November |
U.S. |
| Cosmopolitan, May |
Holland |
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Cosmopolitan, May |
U.S. |
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Elle, January |
U.S. |
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Elle, May |
U.S. |
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Elle, May 4 |
France |
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Elle, May 11 |
France |
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Elle, June |
Australia |
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Elle TopModel #21, April |
U.S. |
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Marie Claire, April |
U.S. |
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Marie Claire, June |
Germany |
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Marie Claire, June |
U.S. |
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Photo, May |
Italy |
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Advertising Campaigns:
Brunello Cuchinelli Cashmere |
Chanel Allure (Fragrance) |
Dana B. & Karen |
Escada Sport |
Frederica |
Giorgio Armani |
Givenchy Fleur d'Interdit (Fragrance) |
GUESS? |
Isacc Mizrahi |
J. Crew |
L'Oréal |
Pantene |
Ralph Lauren |
Victoria's Secret |
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Fashion Show
Appearances:
| Fall/Winter |
Ready to Wear Christian Lacroix and Vivienne
Westwood |
| Spring/Summer |
Ready to Wear Junko Shimada, Lolita Lempicka,
& Vivienne Westwood |
| Spring/Summer |
Haute Couture Jean-Paul Gaultier |
| Spring/Summer |
Colette Denigan |
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Colette Denigan |
Television Appearances:
| "The Secret of Victoria's Secret" |
| Sports Illustrated Swimsuit Special |
| Sports Illustrated Swimsuit Special |
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SI Swimsuit Special 1998
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Other Appearances:
| Sports Illustrated Swimsuit Edition |
| Sports Illustrated Swimsuit Edition |
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SI Swimsuit Edition 1998 |
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SI Swimsuit '98 |
Interview from Elle Top Model #16
Article From Elle Top Model #16
Like Bardot, Laetitia Casta has an insolent beauty with just a
hint of childishness, and a feline charm that involuntarily draws
the eye. Her persona conveys no sense of a prefabricated im age,
or of a dressed-up doll. On the co ntrary, much of her appeal lies
in the very real, individual personality that she is able to
project on the page.
Meeting Laetitia for an interview requires focus: It would be
easy to do nothing but look at her. We wanted, however, to find
out more about this young model, who compelled British designer
Vivienne Westwood to comment: "I don't believe in God, but
when I see Laetitia, I might change my mind." And the
renowned French photographer Dominique Issermann--another woman
who is used to looking at models, and who doesn't frequently
express undue enthusiasm--has called her "the most beautiful
girls in the world."
In the U.S., Laetitia is beginning to be spoken of as if she were
a recent manifestation of the innovative French spirit that
produced the high-speed TGV trains. Ever since she was featured
in the now-famous GUESS? campaign, "the new Brigitte
Bardot" has been racking up covers and contracts on both
sides of the Atlantic.
In the ballroom-size booking room of the Madison agency in Paris,
Véronique Tuil, the booking director, and Valérie Sarfati, a
booking agent, revealed some additional insights about their protégée's
evident assets: "Her freshness, her sensuality, and her
figure are in sharp contrast to current standards," remarks
Valérie. "To find a successor to Stephanie Seymour for the
Elsève campaign, L'Oréal saw hundreds of girls. It took two
years to find Laetitia!"
The two women describe Laetitia as "a pearl"; a variety
of which had all but vanished from fashion magazines when she
began to model. Perhaps a reflection of economically gloomy
times, magazine pages at that time were peopled with the pale,
doleful-eyed waifs who had replaced the sexy stars of the '80s.
That state of affairs, however, couldn't--and didn't--last
forever. Women tend to want to see models that they can identify
with as well as admire--a factor that the androgynous, asexual
look of the grunge era took into little account.
While Laetitia certainly fills these requirements, one of her
strengths is that she doesn't fit fashion's standard physical
categories. It's not customary in this profession to see
five-foot-seven-inch top models, but, paradoxically, it's
precisely the lack of a couple of inches that has helped Laetitia
get ahead of her beautiful colleagues. This may seem strange, but
it's not entirely surprising in a world where criteria for beauty
are notoriously unstable. With her relatively small stature and
feminine curves, Laetitia sometimes looks like a creature from
another planet next to other tall, rake-thin models--but it's a
look with enormous appeal.
When Laetitia suddenly appears in the booking room, sliding on
the parquet, bestowing kisses upon the small team of Madison
agents, the smile on her face is like an intimation of happiness
for those about to cross her path: She radiates cheerfulness.
Before anything else, she first picks up her fan mail. Some
overly insistant fans, she reports, propose immediate matrimony;
others are more romantic and will suggest a glass of champagne;
most often, the letters are purely curious, asking questions like
"Do you make a lot of money?" or "Where do you
live?"
This kind of public attention has been a factor for almost four
years now, so Laetitia knows how to insulate herself from the
pressure. Her agency, Madison, also helps by acting as a second
family who will take care of her and provide advice. Madison
knows how important Laetitia's fame is for them, but they also
know that the young model needs to be protected from the stress,
fighting, and dangers of sudden limelight that have often
destroyed promising talents. ( The film industry, for example,
has been beckoning, but will have to wait a while.)
Laetitia has another guardian angel--her father--who watches over
her, and his two other children with the tenderness and concern
typical of a Corsican parent. He is proud of her success but
always on guard on her behalf.
"My father came with me to my first meeting at
Madison," Laetitia explains, looking delicious in her black
501 jeans, a white Prada ribbon in her hair. "He trusted me,
but, as he often tells me, he doesn't want anyone to hurt me. I
always remember a beautiful thing that he once said to me: 'There
isn't a minute in the day that I don't think of you, that I don't
fear for you. I want you to be strong, because I won't always be
there.'"
After her discovery as a model at fifteen, Laetitia embarked on a
new life, leaving behind everything that was familiar to
her--bedroom, favorite teddy bears, her family, and classmates.
"It's dangerous to start so early," she says. "I
went away with people who I really did not know. I had to grow up
fast. I had a credit card at fifteen."
As a result, she says, she holds on tightly to her most precious
possession--that part of childhood that lives deep in her heart
and in her eyes. When she is bored and far from Paris--her
favorite city in the world, where she would like, someday, to
have "an all-white, minimal" studio--Laetitia calls her
mother on the telephone to tell her how much she misses her. Or
she leaves her hotel room, where she tends to feel confined, to
talk to the night staff ( once falling asleep in the early hours
of the morning alongside the switchboard operators ).
Unpredictability is apparently a significant part of Laetitia's
temperament. Her agency still tells the tale of how she showed up
one day holding a duckling in her arms. Madison is a welcoming
place, but the agency drew the line at playing farmer, and the
bird was shipped off to Laetitia's grandmother. ( Laetitia also
likes tarantulas and pigs, but hasn't, as yet, brought any along
to work with her. )
For the TopModel interview, she insists on going to the nearby
Parc Monceau, explaining that she's an outdoor girl who only
feels truly comfortable in natural surroundings--the kind in
which she plans to settle down one day with "a husband for
life," a flock of children, and lots of animals.
What about boys right now? "To me, the way someone talks,
walks, or moves is what makes him handsome. I'd like to fall in
love, but I'm in no hurry. It's better to wait than to waste time
on relationships that have no future." Declaring herself
definitively opposed to short-term relationships, she says that
she takes things as they come, and states with quiet certainty,
"In any case, I'll have my first baby before I'm
twenty-five."
There's something touching about Laetitia's pronouncement under
the flowering chestnut trees in the park: It's the resolution of
a young woman who has grown up too fast, but who nonetheless
understands the value of things.
It's revealing to hear what book this young globe-trotter carries
with her as she moves between casting sessions, photo shoots, and
fashion shows. Enfantines ( meaning "childlike" ) was
written by Valery Larbaud, a great French writer who died in
1957--many years before Laetitia was born. Talking to the young
model, however, it is clear that the Laetitia who has so
enraptured the world of fashion and beauty could easily
substitute for one of the author's fragile, delicate, and
dangerously sensual heroines--for whom "the door to dreams
is open day and night."
All articles, photos, etc. are used without
permission of their creators (who legally hold their
respective copyrights). The information presented here is
simply collected from publicly aired and published
sources. This site is in no way trying to infringe on the
respective copyrights or businesses of these entities.
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